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Quotes:
"...terrific melodies, funky bass lines, and great horns which take
you through an energetic journey"
"...Swoosh
is a slam dunk! David Hughes is a name that we all need to remember"
- Bonnie
Schendell/Smoothviews.com
"...Hughes delivers funk-laden grooves, guitar-like chordal voicings,
and many horn-influenced solos. Although Hughes' virtuostic ability as
a bass player is completely apparent throughout this recording, it never
obscures the emotionally evocative experience he is attempting to convey
to the listener."
"Hughes
proves that he is a premier bassist who definitely deserves wider acknowledgment."
-International
Institute of Bassists
"...the Crusaders' standard "Always There" was the set's
standout, with six-string electric bassist David Hughes bringing guitar
sensibilities into the chords as he went beyond providing mere foundation."
-Philadelphia
Inquirer
"...His six-string instrument definitely gives him the room to redefine
the jazz fusion genre. ..features the stellar guest appearances of David
Benoit, Wilton Felder, Greg Mathieson and Allen Hinds."
-AllaboutJazz
"...jazz fusion has seldom ever been more expressive, more engaging
and personable...David Hughes' album is one to be excited about."
-CD baby
"...David Benoit hasn't changed the style of his piano playing. So
this tune could be right off his album "Fuzzy Logic."...Millertime
shows David in the role of a deserving Marcus-Miller-successor. Very convincing.
A top notch bass player."
- SmoothJazz.de
(Translated from Swedish)
"...Hughes
has a very beautiful tone and is a skilful soloist both technically and
melodically, in other words, his playing reveals great competence."
- Patrik
Selfors/Folkbladet
The title track of David Hughes’ debut CD release begins with the escalating
sound of an arctic windstorm, and it is like a windstorm this Scandinavian
virtuoso bassist and talented composer will sweep through the music world.
His self-produced album offers some delightfully melodic tunes and showcases
how beautiful the sound of the bass guitar can be.
Although his list of recording and performance credits is impressive,
from performances with Chaka Khan, Melissa Etheridge, David Benoit, Everette
Harp and Ronnie Laws to tours and recordings with the legendary Jazz Crusaders,
Ray Manzarek of The Doors and Asian superstar Tanya Chua, Swoosh is his
first release as a leader and his first serious attempt to document his
musical compositions.
“Ever since I was old enough to reach the keys on our family’s piano,
I’ve been writing music,” Hughes recounts. ”When I discovered the Beatles,
music took on a new meaning and I became interested in playing the bass
and write songs.” Perhaps some of the melodies on Swoosh can be traced
to the British group’s influence, but definitely to the sometimes melancholic
tone of Swedish folk music.” One of the songs, Clearing, is my musical
painting of a Swedish forest clearing on a sunny spring morning.” Hughes
notes.
Hughes got his musical foundation in the Swedish Kommunala Musikskolan,
a music school operated by the city which offers instrumental instruction
and ensemble classes. He studied violin, viola, string bass and bass guitar
and performed in a number of ensembles ranging from Big Band to Symphony
Orchestra. “Sweden was a terrific place to grow up, arts are well supported
and I think it shows in the country’s successful music export,” ponders
Hughes.
It was as a student at the Royal College of Music in Stockholm that Hughes
began to develop his sound. A leader of several jazz and fusion groups,
he experimented with musical influences such as Bebop Jazz, Classical
Baroque, Chick Corea, Pat Metheny and Marcus Miller. He cites the college’s
fertile creative environment as one of the most important factors of his
musical development.
After arriving in Los Angeles in 1994 and graduating with highest honors
from Musicians Institute, he soon joined the school’s faculty. A great
musical leap came when he was approached by Wayne Henderson of the Jazz
Crusaders, and invited to join the band. The group’s performances around
the world stimulated Hughes to develop new musical concepts and earned
him considerable recognition. “Wilton Felder, saxophonist and founding
member of the group, is also a great bassist. He can be very specific
about what he wants from the bassist and he was a great inspiration,”
Hughes recalls. “I am so thrilled to have his sax performance on Sunshine.”
As for the future, Hughes looks forward to touring in support of Swoosh
and finding new audiences in foreign markets. The album has been featured
by CDbaby.com, one of the largest distributors of independent music and
is available through Apple’s iTunes. “I want to bring an emotional experience
to the listeners and make their lives more enjoyable,” notes Hughes. From
the sound of it, life is getting better at record stores near you.
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