Carbonne - Di Piazza - Manring

1. Anticipation
2. Ever Lasting Love
3. Little Rose
4. Detachment
5. For Philippe
6. Sub Jam
7. Holy Spirit
8. Nuestra Esperanza
9. Le Retour Du Loup
10.The Bright Morning Star
11. What's On Her Mind

Recorded and mixed at Studio Rock & Chanson, Talence, France, february
2005 Produced by Philippe Lissart


Yves Carbonne :
8 string fretless sub-bass guitar (tracks 2, 6, 7,10, 11),
6 string fretless contrabass guitar (tracks 4, 9),
8 string fretted sub-bass guitar (tracks 1, 8).

Dominique Di Piazza :
5 string (with high C) bass guitar.
Dominique plays fingerstyle, uses 2 Dunlop fingerpicks on track 2

Michael Manring :
4 string fretless (tracks 1, 2, 4, 5, 6, 8, 9, 10),
4 string fretted bass guitars(track 11).


Recorded live and mixed at Studio Rock & Chanson,
www.rocketchanson.com Talence, France, february 18 - 22, 2005
Ingineered by Pascal Ricard; Mixed by Yves Carbonne & Pascal Ricard
Photography, design and webmaster : Sébastien Toustou - basstien@nebkas.com
Produced by Philippe Lissart. Contact: +33 (0) 610033585 / lissartp@tiscali.fr

 
www.carbonne-dipiazza-manring.com

Together for the first time in February, 2005, extended range bassist Yves Carbonne, former John McLaughlin Trio bassist Dominique Di Piazza, and renowned solo bassist Michael Manring collaborated on a collection of eleven original compositions for bass trio, duo, and solo repertoire in Talence, France. Each virtuoso bassist contributes to this self-titled, debut project as a composer, and everyone's unique approach to bass playing is spotlighted through an exclusive unaccompanied performance. Carbonne and Manring recorded two pieces as a duet, and all three exchange musical conversation with each other on six beautifully orchestrated tracks for bass trio. Collectively categorized as a fusion of stylistically diverse compositions, this extraordinarily inspiring project combines the utilization of unconventional bass playing techniques with funky sub-contra bass grooves, sensitive fretless melodies, and sophisticated chordal explorations throughout.

Cliff Engel, Bassically.net